Outside phrases using the Phrygian dominant scale for jazzy fusion vibes

Today we'll take a look at the Phrygian Dominant scale. When a scale is Dominant, it means that it has a major third and a minor seventh. That means that a Phrygian dominant scale is a phrygian mode with a major third.

Influenced by John Petrucci, Steve Vai and Kiko Loureiro (Angra). The solo starts in F# Phrygian mode and then it modulates to B minor scale. We will use Alternate picking, Vibrato, Slides and Palm muting in this lesson.

The classical Phrygian dominant mode in a progressive rock manner by using Chromatic lines , inside/outside playing and random notes.

We are going to explore the sound of the different phrygian modes.

The Bebop Dominant Scale is basically a Mixolydian mode with an extra note : a natural 7th. Used in Jazz of course, but also in Jazz Fusion, to add interesting colors to your improvisations.

A solo lesson with some influences of John Petrucci. We'll work aspects like rhythm, scale uses, and different techniques such as legato, alternate picking, Vibrato, Slides harmonics and arpeggios.

Inspired by bands like Extreme, GN'R, Jane's addiction and Aerosmith. The solo is a funky rock solo which includes lick in the style of Nuno Bettencourt, Dave Navarro and Slash.

The key of F is not used as often for guitar because it has a lot of barre chords and not a lot of ringing open string ones. It can be a difficult key for beginners uncomfortable with barre chords.